Digital art

Chicago Cityscapes

“Dynamic” is the word that best relates my intentions when depicting Chicago. It began with the first impressions, drawings of the city dating back to 1991, and continues to this day. Russian Constructivism, Bauhaus and the International style have greatly influenced my work.

Downtown Winnetka., 1995 oil on canvas, 31 x 43 inches

John Hancock Building. Chicago, 2000, print on paper

Adams Street, 2003, oil on canvas, 40 x 30 inches

Downtown Chicago Harbor, 2001 print on paper

Sculpture of a Hare near John Hancock. Chicago 2001

print on paper

Evanston Masonic Temple, 1992 oil on canvas, 25 x 32 inches

Old Fire House, Skokie

2016. Acrylic on canvas, 30" x 30"

Illinois street. Chicago, 1999 oil on canvas, 30 x 40 inches

Open Bridge Michigan Avenue, Chicago, 2003

Acrylic on canvas, 40” × 30”

Illustrations for James Joyce "Ulysses"

My illustrations for James Joyce Ulysses follow compositional principles of the "Inner Monologue" developed by Sergei Eisenstein and later used in many of his films. It is through the study of Eisenstein's work that I found a pictoral language suitable to express 'stream of consciousness' writing in Ulysses.

Still Lifes

The paintings span several decades of work, with the medium ranging from oil and acrylic on canvas to watercolors. I often come back to the subject of flowers for inspiration.

Still-life "Neoplasticism"

2014. Acrylic on canvas, 32" x 32"

Pears on china plate, 2004, oil on canvas, 16 x 20 in

Golden section - Square Root of 2, 1976, oil on canvas, 22 x 32 in

Yellow Roses, 2003 oil on canvas, 30 x 24 in

Still life with the plaster hand, 2001, oil on canvas, 24 x 30 in

Orchids, 2005 water color on paper, 30 x 22 in

Flowers with the mask, 2004 oil on canvas, 40 x 30 in

Lilies, 1997 acrylic on canvas, 40 x 30 in

Lilacs in the glass vase, 2005 oil on canvas, 40 x 30 in

Artist's paints, 2005 gouache on paper, 20 x 26 in

Figure Drawing

Some of the early figure studies are student drawings, while later works, using chalk and watercolor were created during live model sessions at the Noyes Art Center in Evanston and Palette and Chisel Academy in Chicago.

"Martha 1776".

2018. Acrylic on canvas, 48" x 36"

Fisch Blut

2018. Acrylic on canvas, 36" x 60"

Seated man, 1976 water color, 34.5" x 22.5"

Reclining female, 1993 water color, 24" x 18"

Seated female, 1994 pencil on paper, 24" x 18"

Standing male with the pole, 1991 water color, 24" x 30"

Standing female, 1993 pencil on paper, 24" x 18"

Seated young female, 1994 water color, 24"x18"

The Archer, 1976, pencil on paper, 33" x 23"

Portraits

Elizabeth

2018. Acrylic on canvas, 36" x 36"

Duckling

2018. Acrylic on canvas, 36" x 36"

Nina

2018. Acrylic on canvas, 36" x 36"

Elizabeth

2018. Acrylic on canvas, 36" x 36"

Misha with "Das Kapital"

2018. Acrylic on canvas, 40" x 32"

"Red Poet' - Rafael Levchin

2004. Oil on Canvas, 40" x 30"

After art show. Anna

1999. Oil on canvas 30” x 40”

Artist Chaim Livchitz

1982. Gouache on paper 22” x 16”

Lilacs with a portrait of Stacy

1999. Acrylic on canvas, 30” x 40”

Self portrait

1997. Oil on canvas, 20” x 16”

Student. Joel Pollack

1998. Oil on canvas, 30” x 24”

Alex

2004. Oil on canvas, 30” x 24”

Architectural Graphics

Interior of Old-New Synagogue. Prague, 2005.jpg

Bendely's Restaurant. Elevation. Plan, 1993.jpg

Interior of Ostankino Palace. Moscow, 1993.jpg

Architectural Fantasy, 2001 print on paper

Visual Poetry

Писать стихи я начал в 2001 году (если не считать моих цветных стихов, которые шли в зачет вместо экзаменов по цветоведению в1974 году в институте) в знак протеста против того "поэтического поноса", которым захлестнули меня мои друззззззззззья и ззззззззнакомые.

Chicago Sketches

ISBN 978-1-937484-07-1

by Richard Reeder

Illustrations by Leonid Osseny

Many of us carry vignettes of our lives…

………………………………………………………..

Finally, I have a confession to make. I begin reading a book today just as I did when I was in first grade. I start by looking at all the pictures (if there are any). Pictures are windows into the written text as well as visions beyond it. Leonid Osseny’s illustrations in this book are a wonderful example of this. Once these illusrations have captured you, as they did me, the written words seem to take on additional meanings. Enjoy!

-From the Foreword by Charles R. Middleton

President, Roosevelt University, Chicago IL.

Walt Whitman Illustrations

Posters for Sergei Eisenstein

Posters for exhibition at the Gene Siskel Film Center, Chicago June 2007

Sculpture

A series of terracotta sculptures created for the exhibition Red Square on Dearborn. Palette and Chisel Art Academy exhibition space, Chicago. May, 2014